
FEATURED ARTISTS
Estelí Gomez, soprano
Gilda Lyons, composer
Debra Nagy, oboe and director
Maria Romero, violin
Shelby Yamin, violin
Rebecca Landell, Viola da gamba
Mark Edwards, harpsichord
Hector Alfonso Torres, guitar
Liam Smith, percussion
La Diosa
Saturday, February 28, 2026 at 4:00 pm
Pre-concert talk at 3:30 pm
The Heights Theater
2781 Euclid Heights Blvd Cleveland Heights, Ohio, 44106
Mysticism, folklore, and feminine energy pervade this original new program that celebrates the vibrant musical traditions that flourished in the missions and cathedrals of colonial Latin America alongside the World Premiere of Soy la Diosa by Nicaraguan-American composer Gilda Lyons.
Beginning with José de Torres’ ecstatic cantata Afectos Amantes, this program offers mesmerizing harmonies and swirling vocal lines that evoke divine presence in both the heavens and earthly realms. Additional songs and instrumental music preserved in manuscripts from present-day Bolivia and Peru combine Indigenous, European, and African influences to create a style full of rhythmic vitality, expressive contrast, and improvisatory flair. At the heart of the program is “Soy la Diosa,” a new commission by Nicaraguan-American composer Gilda Lyons. This bilingual four-movement work for soprano and period instrument ensemble celebrates the essence of the divine feminine that remains ever-present in our daily lives.
Musical Program
José de Torres (1670 – 1738): Afectos amantes
Anon: Bayle de danzants con pífano y tamboril (Trujillo Codex, arr.)
Anon: Pastoreta Ychepe Flauta
Santiago de Murcia (1673 – 1739): Jacaras de la costa
Luis de Briceño (fl. 1610s–1630s): Venteçillo mormurador (reconstr. Herreid; arr. Christa Patton)
Murcia: Cumbé (arr.)
From the Codex Martinez Compañon:
Tonadilla El Palomo
Tonada La Donosa
Trujillo Codex: Lanchas para baylar
Gilda Lyons (b. 1975): La Diosa (WORLD PREMIERE)
Anon. from the Codex Zuola: Marizápalos
Rafael Antonio Castellanos (c. 1725–1791): Oygan una Xacarilla
